Main sequence of Matayoshi nunchaku kata is very interesting because it is not simple figure “8” movement as in other known okinawan kobudo styles. If you look closely you will see that there are two straight strikes and two diagonals. Point here is to be able to strike with nuchaku from each corner of you body – upper corners (left and right shoulder) and lower corners (left and right hip). I tried to make it more clearly with this small demonstration, but it is not easy to do movement slowly with nunchakus. I hope you like it.
Another empi technique from Kushanku (Kanku) kata. Similar to basic Naihanchi application but here you add kick to shock your opponent. Also keep in mind that we use elbow strike also as escape from grab.
One more Kushanku bunkai. This is how we do it. :) Use tsuki for escape from diagonal grab. Dont use harai uke and your forearm, but rather execute tsuki and snap opponents elbow with your upper arm and shoulder. This is form of kage tsuki and bunkai is similar as in Naihanchi kata. This move is same against grabbing your sleeve, shoulder and double arm grab to your neck or lapel. And most important – use hikite.
This is how we practice shuto uchi in our dojo. We use woodboards as fokus pads. :) Usually folks practice shuto on boxing bag, but bag is too soft for shuto. Shuto is meant to break a bones and bones are not soft. We are using left overs from temashiwari for practice but any wood is good. Please dont practice on your doors because you will destroy it. :) If you try this go slow and dont push it – it is easy to get hurt.
Here are two good warm up exercises and nice way to cover some ground fighting if you ever end up in this position. First one is about front mount attacker and how to escape from being under. Second exercise is about how to cover from kicking, stomping and punching when you are on the ground.
Naihanchi (Tekki) kata bunkai. This is about first sequence haito – empi uchi. Main point here is to use elbow to escape from grab and counter at the same time. Keep in mind that execute empi uchi in way that it is also escaping technique.
This is bunkai from kata Passai, also known as Basai Dai in Shotokan. It is close distance techniques sequence. You should execute
Uraken to attackers face,
Escape from grab and
grab attacker groin as ultimate measure.
It is pretty cruel sequence, but it is sometimes necessary to be very lethal if you are not as strong or big as your opponent. Version of kata that we practice is known as Oyadomari Passai or Tomari Passai and it is the oldest version of this kata as far as I know.
Sagurite – searching hand. This technique is from kata Passai and it is aimed at attackers eyes. Parry with rear hand and poke with front hand because front hand can cover more distance. Use neko ashi dachi to align your body and cover. Eye-poke here is used as shock technique and after that you proceed with Udewa, grab head manipulate opponents neck and takedown. Funakoshi used term “Udewa” for this throw and I like that name. In Shotokan Basai Dai sagurite is replaced with generic shuto uke and bunkai is lost.
This is Oyadomari Passai kata. That is Tomari version of Passai kata and it is generaly oldest version that survived today. This kata is modified in Shotokan and is also known as Bassai dai. Version that we practice is similar to one that is passed down through Matsubayashi school. There is saying that Passai means “Lion dance” and I think that it is highly possible because there are many paw and claw techniques that are similar to cat movements. Our dojo has lion as an amblem and Passai is our signature kata.
I came across an interesting article by sensei Robert Teller that the this footage of kate Passai is one of the oldest forms of this kata. His teacher Masonobu China told him that this kata goes back at least 200 years in the village of Shimabuku. Read more…
Interviewer: Can you tell me some more about your kata?
Sensei: I teach the Matsumura kata. The kata that I teach now arepinan shodan, pinan nidan, naihanchi shodan, naihanchi nidan, patsai-sho and dai, chinto, gojushiho, kusanku, rohai ichi-ni-san, and last, the hakutsuru. Read more…
The context IMHO that Funakoshi was using the term “sente no kata” means that there is no first attack in the kata. Kata is ubiquitous for karate, the term we all know that has become synonymous with Uchinandi. Read more…